Tribal Style Arms
- Details
- Created: Saturday, 01 December 2012 08:00
Like a lot of people I tattoo, Edward has gotten various ink over the years, some of it as a result of a cover up attempt and others at different times in his life. Most of it is loosely tribal in style but not all of it matched very well and he was hoping to have it all pulled together somehow. I suggested that we use some of the forms that he already had in the old tattoos when adding in the new work, to connect everything all up. Also, we decided that he should have half sleeves created so that both arms matched better in coverage. As we fill in the new shapes, I will touch up the old tattoos to make all of the ink on his arms the same value (black, not gray.) Click on the Read more link to get a closer look at the results of our first sessions (outlines.)
For his first tattoo, James wanted something that reflected his life long love of music. He was thinking that it should be guitar based (he has five guitars) and feature Jimmy Hendrix's Voodoo Chile score but he wasn't sure how that would all go together. I also thought it would be cool to get the musical staff and possibly some clef symbols in, as well. We decided that it should be a half sleeve that would wrap around his arm and cross his shoulder to his upper back. He says, "Thanks to friend and co-worker Paul for sending me to Victoria. This image of a tat was swirling in my head for many months, but the courage didn't come until after an outdoor rock concert (ZZ Top) I had attended, presented a wondrous array of images, outwardly and proudly displayed. I told Paul about all this - and my apprehension. He scolded,"YA HAVE TO TALK TO VICTORIA!" (gulp) OK... My consultation with Victoria was pure relief. Her experience and comprehension caused my image to begin to solidify. Once I armed Victoria with pictures that described concept and aspect, her imagination influenced a final drawing that captured the detail of an iconic shape along with the imaginative twist on a piece of my favorite music. She was concerned about placement - something I couldn't imagine on my own, and I couldn't be happier." Click on the Read more link to see the drawing and the results of our first session (outline.) You can still see some of the purple stencil underneath it.
After taking the Precepts, Diane was looking for a way to make her Buddhist vows more real, more concrete. She came to me with several ideas for how to accomplish this goal with tattoos; she was thinking of using images of the Buddha, Kuan Yin and lotuses to create the base of a back piece cover up. She wasn't sure how each image should look or how everything would go together but I told her that was no problem-- I could totally help her with that. We started with a traditional Thai Sak Yant tattoo (the Gao Yord, for protection) on the back of her neck and went from there, tattooing the Buddha and lotuses in first and then adding a Sak Yant Ganesha on her right ribs and Kuan Yin on her left ribs. We put Prajnaparamita with her mantra in script overhead, just below the central Buddha. Then we added cherry blossoms and tied it all together with swirling Tibetan clouds. Click on the Read more link to see a couple of the drawings and the before and after photos.
Lyndell and I have been working together on his tattoo ideas for several years now; he is concentrating on his heritage, which is mostly African and Native American. He has decided that he wants the imagery on his right side to be reflective of his African ancestry and the tattoos on his left side to be Native American. We did two coverup pieces, one on his back and the other on his right arm, that involve African imagery. We've also completed a cheetah on his right thigh and are now working on a lioness for his right calf. Click on the Read more link to see the drawing and photos of our outlining and grayshading sessions.
Nicole came in with an incomplete hummingbird tattoo floating on her left ribs; she was wanting to have it finished but also possibly add something to it so that the bird wasn't just hovering by itself somewhere. She was thinking maybe fushias would be good to add, as she thinks they're beautiful flowers. I suggested that we anchor the bird with a fushia plant growing up and out of her hip and make it look like the bird was getting ready to sip from a blossom-- giving it a place to be, a home. Adding gray shading and color will also create more dimensionality and make the hummingbird look more real, like it belongs there. Click on the Read more link to see the drawing and photos of the tattoo before we added the fushias and the results of our grayshading session.
Scott did two tours of duty in Iraq and Kuwait when he was in the US Marine Corps. Now that he's home he's decided on two rib tattoos to commemorate his time overseas. On his right side he wanted a Fallen soldier memorial tat and on his left a list of comrades that are important to him. We started with the right side and finished that tattoo today; we will ink the left side later on in the summer. Click on the Read more link to see the drawing for the right side and photo of the grayshading session.
I first met Paul and his lovely wife Amy a couple of years ago when they came in to have some quote tattoos added to his forearms. They are artists and brought in the quotes in a particular font that they liked, so it was super easy for me. This year, Paul was ready for some more quotes and had them printed out but hadn't decided yet where on his forearms he wanted them tattooed. We started talking about it and I said, "You know, you're getting to the point where your forearms are going to be pretty full. What do you want to do with your upper arms--- in other words, we should start thinking about what each arm should look like as a whole." We then started brainstorming concepts for the sleeves, what themes would be good to unify each arm. Paul said he'd always wanted to cover up the tattoos he had on the middle of his upper arms and that he liked crows--- they are such smart and amazingly adaptable birds. Yeah! I had this vision of crows flying around his upper arm to cover up/camouflage the old tattoos; we could fill in the open areas of his lower arm with feathers and quotes to connect everything. Here's what he has to say about it, "I find it important to use tattoos as markers for my journey down the path. And what started as a few simple quotes magically turned into a collage of crows in flight. The amazing symbolism of the crows and the departure, for me, from one-off tattoos helped solidify this marker for great changes to come. I am honored and truly excited to be sharing this with such a deeply spiritual person who is helping me to define this marker and many more to come." Click on the Read more link to see the drawings for the right arm (outside, inside and feathers) and photos of the graylining and outlining sessions.
Marie is a big time gamer and fan of all things Steampunk. She came in to see me about some calf pieces based on spats and Victorian corsets; the idea being that the spats lace up from the bottom, showing intricate gears, pistons, watches and cool Steampunky stuff underneath, peeking through the laces. Click on the Read more link to see the drawings for the left leg (outline, gray shading and color) and the photo of the left calf outline (bottom) and gray line (top).
Stephanie's husband has a couple of tattoos and is thinking about getting another one. After hearing that, Stephanie said, "Wait, I want a tattoo--it's my turn! I get to go next," and got working on ideas for her first tattoo. Growing up in Florida, she loves the Banyan trees there and knew that a tree would be the base of her tattoo. She decided to build elements into and around the tree that have importance in her life: her family, the arts and sciences, the animal kingdom. Click on the Read more link to see the drawing and the photos from our first and second sessions.
Ryan got a tattoo on his right arm when he was 18. He would like to have something more meaningful for him now that he is older and has decided on a realistic lion cover up/camouflage concept. It will work perfectly for a cover up/camouflage piece, as it conforms very well to the Cover up formula (larger, more detailed line work, darker value colors, use position to move and fool the eye, etc.). The original tattoo was pretty dark, so we have had to pump some white into it to get it to turn lighter in value (more gray, instead of black.) You can see the old tat after we've just done our second session of white in his photo to the right. Click on the Read more link to see the drawing and the photos from our first outlining session.